Saturday, 12 March 2016

NEVERLND

The balloons ascend and they neverlnd...

Five piece Indie-Pop band from Oxford previously named 'Balloon Ascents' are back with a new name, new image and new tunes.
After releasing their debut EP 'Balloon Ascents' including the 4 tracks 'Cutout' 'Aberation' 'Out On The Ocean' and 'The Only One' in January 2015, the band (Thomas Roberts,singer, guitarist & pianist, Robert Christensen-Marriot, bass guitar, backing vocals & French horn, Otto Wolf, drummer & backing vocals, Jonny Vickers, guitar & backing vocals, and Henry Soothill, guitar). spent their year playing gigs, festivals, charity events etc. I was lucky enough to see them at their headline gig at Oxford O2 Academy on May 1st 2015, I then went on to see them even more throughout the year, and having now seen them a total of 7 times, and as someone who goes to a variety of gigs, I can earnestly say they're one of the best live bands I've ever seen and they just keep getting better. You'd be injudicious not to check them out. 

1/5/15 O2 Academy, Oxford
1/5/15 - O2 Academy, Oxford
1/5/15 O2 Academy, Oxford

Truck Festival 2015

Follow their social media sites and stay posted as they are going to release a free new track every month //
Instagram - @neverlndband
Twitter - @neverlndband
Facebook - Neverlnd

This months track - 'Where Do I Start' Listen here: Where Do I Start
Debut EP 'Balloon Ascents' - Balloon Ascents
'Don't Look Down!' - Don't Look Down! // Someone
Balloon Ascents YouTube channel - https://www.youtube.com/channel/UChbJ0nP95-4bCHVbhwTRNNg

Upcoming shows // Jaqueline Du Pre Music Building, Oxford - 22nd April 2016. GET TICKETS HERE https://tigmus.com/





Saturday, 9 January 2016

The Magic Gang "EP" Review

On “EP” the Brighton four piece break the grunge inspired slacker pop-punk model that shaped their fantastic early singles that drew comparisons to many 90s bands, namely Weezer, by adding a sweet 60’s soulful psychedelic sound and making EP a heartbreakingly dreamy collection of pure indie gold.

The EP opens with the sweetly sensual “Lady Please” in which frontman Jack Kaye and lead guitarist Kristian Smith leave their aching vocals over chiming reverb filled guitars and the solid underpinning of Angus taylor and Paeris Giles rhythm section. “She Dosen’t See” is an obvious live favourite in the making, with a chorus that begs for a sweaty live audience to be bawling along too. A defiant cut of aching adolescent awkwardness turned into an anthem of slacker pop awesomeness. The fuzzy sway of jasmine (the lead single from the EP), with the verses lead by the thrumming bass line and the frustrated lyrics of the chorus underpinned by the gentle strumming of an acoustic guitar and the whine of Kristains electric, shows the bands songwriting at its best. The beach boys-esque harmony on the chorus just goes to show this. “Feeling Better” furthers this, with p****d off lyrics clearly aimed at an ex significant other, it pins more indie angst against soft and sweet guitars it makes for one hell of a break up song. In my opinion the EP peaks on its last track “All I want is you” sees Kris and Jack’s soft drawls begging for the affections of someone. This coupled with the expansive echoing guitars makes this final track a standout one.

In all, the Magic Gang do what they do best. Pure indie songwriting that makes the bumbling awkwardness and pains of being young and makes it all seem so beautifully simple with the slacker-psychedelic 60’s style backing. A perfect soundtrack to lighten even the lowest of moods.


(4 1/2 stars)

Written by Harry Harvey



LISTEN TO "EP" HERE: https://open.spotify.com/album/6doLSNlPYGnOeyq3woXoba

Thursday, 10 December 2015

VITAMIN

Vitamin have burst into the indie music scene quite recently supporting the likes of Swim Deep, Rat boy and most recently Sundara Karma. The four piece Jared, Theo, Cameron and Harrison, derived from Leeds, have truly established themselves both live and in studio after getting such privileged (but deserved) support places with well such established and praised artists as well as releasing quite an array of singles on both Spotify and SoundCloud.
After seeing this band in a variety of cities, I know that they can bring good vibes into any venue. Their melodic tunes echo through any size room and get any size crowd moving. They are destined to headline, and headline big venues.

One of the EPs, ‘To Believe’, explores sparkling modulation, dreamy like reverb and rhythmic melodies, all whilst keeping within that groovy 80s vibe. But, of course we have to mention Jared's distinct, silvery vocals cutting right through the layers of effects right into the centre of the tracks. I am almost certain that their material, made to fill dancefloors, will soon be indie anthems; all they now need is recognition. 


Written by Darcy Reddin.




Birmingham, Sunflower Lounge, 27th September 2015 (supporting Sundara Karma)

Sugarmill, Stoke-on-Trent, 23rd September

Listen to 'To Believe' here: https://play.spotify.com/album/0dTTMBcUTw7YB2fUHGRsv8
Listen to 'Giving It Up' here:  https://play.spotify.com/user/e891011/playlist/23hoL9JWIqhUHRRSZ38xKR?play=true&utm_source=open.spotify.com&utm_medium=open

Wednesday, 2 December 2015

SPARES

Liverpool garage/proto punk band SPARES have recently hit the scene with their first thundering single ‘I Like It’. The four piece only formed earlier this year and are already showing great promise as the UK’s possible response to American West Coast punks FIDLAR and Wavves, sharing sonic similarities and a forever upbeat, fast tempo. The new single features songs ‘I Like It’ and ‘Not Enough’, which bring a new side to Liverpool’s distinct (Beatles) sound.
The A side, ‘I Like It’ brings in chunky, Cocaine-esque riffs from the offset over fast, clashing drums and thick, overdriven rhythm guitar. As for vocals – you can really see my comparison to FIDLAR. Floating above the instruments, the vocals are higher pitched and wailing, a deep, stabbing and well placed vocals. The track maintains a fast pace all the way through and plenty of opportunities for circle pits at their gigs for years to come. A truly earth-shattering song.
The B side, ‘Not Enough’, takes heavy advantage of drums and has a strong beat all the way through, rising and falling with the guitars. Again, the vocals contrast very well with cries of the namesake “You know I’m not enough!” to bring the song and the single to an epic, explosive end.

I would definitely recommend this band and I look forward to releases in the future – definitely one to keep an eye on and check out.
Listen to their new single “I Like It” here: https://soundcloud.com/goingspares
For fans of:

  • FIDLAR
  • Wavves
  • The Orwells
  • Crows
  • Palma Violets
WRITTEN BY OWEN REES.

Wednesday, 25 November 2015

FOX CHAPEL

Fox Chapel are a four piece indie rock band from Northampton. Inspired by the likes of Diiv and Beach Fossils, they released their dreamy, melodious single 'Imagery' back in January this year. They have played BBC introducing stage at Northampton Music Festival 2014, Main stage at Truck Festival 2015, Strawberry Fields Festival 2015, and have shared a stage with Saint Raymond, Temples, VANT, Pleasure House and many more. I was lucky enough to catch them on the main stage at Truck Festival and they did not let me down, their set was amazing and there was such a feel good vibe, everyone was enjoying themselves.




They released their debut EP titled 'Frames' back in August, including the four funky feel good tracks, 'Afternoon', 'No Healing', 'Always' and 'Mind/Atlas', my favourite being ' No Healing' due to the vibrant distortion of the guitar and the strong rhythmic drum beats reminding me of the early days of Bloc Party. 2005-2008 Indie Rock isn't dead thanks to these incredibly talented guys. The wonderful Lucy Rose who has performed some backing vocals for Bombay Bicycle Club is a fan of Fox Chapel and has said "Reminds me of early Bombay Bicycle Club, imagine they will be really fun to watch live. I'll most certainly try and get down the front." If that's not enough to convince you to check these guys out then I don't know what is. 

Upcoming tour dates include: 

The Roadmender, Northampton 5/12/15 w/ The Bohicas

 The Lamplighter, Northampton 15/1/16 w/ JUICE 

The Rainbow, Birmingham (Digbeth) 23/1/16 w/ JUICE 


Listen to 'Frames' and 'Imagery' here: https://soundcloud.com/foxchapelmusic

Sunday, 22 November 2015

CATFISH AND THE BOTTLEMEN // BRIXTON ACADEMY 6/11/15

Catfish & The Bottlemen at Brixton Academy, London - 6/11/15

Having released their debut album The Balcony in September 2014, Catfish & The Bottlemen’s rise to fame has gone beyond the Llandudno foursome’s wildest dreams. Championed by BBC Introducing, the band’s popularity can be easily measured by the contrast between their 6 song set on the Introducing Stage at Reading and Leeds in 2013 to arguably one of the biggest and liveliest crowds the Radio 1/NME Stage has ever seen at the same venue just 2 years later. The NME’s 4/10 review of The Balcony less than a year earlier couldn't have ever predicted that.

The band announced their first date at Brixton in March, prior to setting off on their biggest UK tour to date. Selling out in just 6 minutes, the band released a second date at Brixton, which was supported by an even bigger sellout UK tour announced later on in the year.

Support was provided by the London Souls, a two piece, New York City based, rock group. The band must be admired for filling the large venue with sound using just a single guitar, drum kit and vocals. Sounding like a bluesy blur between The Black Keys and Led Zeppelin, the band performed a well rounded set, modelled around traditional rock. Sadly, didn't seem to balance too well with the indie pop/rock sound of Catfish, meaning that perhaps the London Souls didn't quite receive the appreciation they may have deserved.

With The Beatles’ Helter Skelter blaring out as the lights dropped down on the quadrant, there was a feeling of a more polished performance than previous tours, which continued throughout the night. Kicking off the set with “Rango”, it was quickly apparent that this was going to be a night to remember. This was followed by “Pacifier”, seeing the whole crowd erupt as they chant like a 5,000 strong bunch of football fans at the FA cup final.

Throughout the performance, frontman Van McCann took time to place up into the expanding audience, singing out his lyrics word for word. This has been the culmination of some incredibly hard work by the band, but they have remained truly humble throughout this, which is something we hope continues. Later in the set, fellow band members Bob Hall, Benji Blakeway and Johnny Bond left McCann alone on stage to perform their only acoustic song on the setlist, “Hourglass”. This song has always been suited to smaller and more intimate venues, before the bands popularity soared, so it was most welcome for this song to be played at such a large venue. The power and energy of the audience was especially apparent during this, allowing Van to step away from the microphone and embrace the crowd as they finished off singing the song for him.

Photo by Harry Silcock


Debuting on this tour was the first song from the second album. Bathed in green light, McCann sung “7”, leaving all of us aching out for more new music. Next up was the massive single “Cocoon”, followed by “Homesick” - the first song that Catfish released. Closing the set was the massive anthem “Tyrants”.

With the second album due to come out next year and the band set to expand more and more, it’ll be interesting to see what direction the band will take when it comes to live shows, whether they’ll continue at venues the size of Brixton or start to push towards arenas. Whatever direction they take, we’re incredibly excited to see what is in store for the band in the future.

Setlist:

Rango
Pacifier
Sidewinder
Fallout
26
Business
Kathleen
Hourglass
7
Cocoon
Homesick
Tyrants 

WRITTEN BY HARRY SILCOCK. 

Thursday, 12 November 2015

FIDLAR - O2 Academy, Bristol - Review

For a long time, FIDLAR have been a part of the new wave of left field bands among bands like Peace, Wolf Alice and Catfish and the Bottlemen. Hailing from Los Angeles, California, this band provides brilliantly scrappy, explicit, sloppy and, most of all, loud garage punk – perfectly sampled in their studio albums, the self-titled debut ‘FIDLAR’ and the much awaited second album released a few months ago ‘Too’. 
FIDLAR easily filled the venue with 2500 excited teenagers, a 50/50 mix of the indie and punk scenes. Opening was also a great new American band by the name of Bully, who were on the wake of their debut album ‘Feels Like’. A truly brilliant band playing a loud and proud set, fuelling sweaty mosh pits. Their enticing mixture of grunge and indie rock sent the crowd flailing as frontwoman Alicia’s floating and often scratching, screaming vocals contrasted the overdriven guitars. 
As FIDLAR came on stage the audience was sent into a frenzy – adrenalin fuelled kids bashing into each other as frontman Zac Carper stepped up to the mic and with a typical Los Angeles valley accent shouted “Hi, we’re FIDLAAAR.”. The band broke into the thick, growling ‘Stoked and Broke’, the pit now about ten times more crushing and violent than any Drenge concert. Next was a fan favourite ‘Max Can’t Surf’, causing the crowd to scream all the lyrics in return. Zac folded his arms and sighed his way through the fast and almost haunting ‘No Waves’ (my favourite performance of the night), then after a few well-rehearsed songs, including mosh pit and sing along favourite ‘Cheap Beer’, broke into their newer ‘40oz On Repeat’ – arguably the band’s anthem and a brilliant performance. Bassist Brandon Schwartzel stepped up to sing for new album track ‘Bad Medicine’, making nasally, high pitched vocals sound like they fit like a jigsaw into the instrumentals. The sweaty teens all united as one to sing along to the garage punk anthems ‘West Coast’ and ‘5 to 9’ both played quick and solidly – the band obviously knew what they were doing as they all threw themselves about the stage. ‘Awkward’ was another highlight, the chorus echoing around the venue of writhing bodies and flying shoes. ‘Punks’ (otherwise known as ‘The Punks Are Finally Taking Acid’) was one of the high points of the mosh pit as sweaty bodies were thrown around screaming at the top of their lungs :
'Well I'm still alive
And you are too
I still can't get myself outta' you.'
The set finally ended with ‘Cocaine’. As the initial riff came in the show took an unexpected turn – Zac came up to the mic and told everyone to “Sit the f—k down.”, after we all eagerly did as he said, he simply declared “You’ll know when to get up.”. And we did. As the song broke into its heavy, thick bass by Brandon Scwartzel, cutting vocals by Zac Carper, enticing riffs by Elvis Keuhn and smashing and banging drums by Max Keuhn we all jumped up into the air, throwing the audience and venue into frenzy – a huge number of teens as one in the most violent and exciting mosh pit I’ve ever experienced.
A truly brilliant band and a very good setlist covering the vastness of their unique sound. I’d definitely recommend anyone to see them live – and bring heavy footwear, it’s pretty hard going in there.
The Set:
Stoked and Broke
Max Can't Surf
White on White
No Waves
Cheap Beer
Drone
Leave Me Alone
40 Oz On Repeat
Bad Medicine
West Coast
5 To 9
Awkward
Why Generation
Punks
Wait for the Man
Cocaine



Similar Bands:
Wavves
The Front Bottoms
Moose Blood
Drenge

WRITTEN BY OWEN REES.
 Listen to FIDLAR here: https://play.spotify.com/artist/3P6duIn7oHeiBACZfYeNud?play=true&utm_source=open.spotify.com&utm_medium=open